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Richard Flury: Four Song-Cycles

The output of Richard Flury (1896-1967), one of Switzerland’s most prolific composers, ranges from operas and ballets to symphonies, instrumental concertos, sacred and secular vocal works, chamber music and no fewer than 181 songs with piano accompaniment. These four song-cycles, written between 1920 and 1946, contain 45 of them, their concision nonetheless embracing an expansive, Romantic style of which Schumann himself might have approved. The prevailing mood is one of an open-hearted sincerity, occasionally enlivened by a dash of humour.

Stephanie Bühlmann, soprano
Margaret Singer, piano

Jaime León: Vocal Music

Born in 1921, Jaime León is now the Grand Old Man of Colombian music. A vital figure in the development of Colombian art-music, León has been pianist (he is a grand-student of Clara Schumann), conductor, teacher, administrator and composer. His Misa breve has an innocent sincerity reminiscent of Poulenc's religious music, and although the word-setting in his songs is subtle and imaginative, they have the same melodic immediacy and uncomplicated appeal.

Sarah Cullens, soprano; Gemma Coma-Alabert, mezzo soprano; Tonos Humanos; Arcadia Chamber Choir; EAFIT Symphony Orchestra; Cecilia Espinosa, conductor; Mac McClure, piano

Dvořák: ‘Songs My Great-Grandfather Taught Me’

Antonín Dvořák has long been known as one of music's supreme melodists, but his songs have not made quite the headway of his best-known works. Now 30 of them are given a new lease of life in transcriptions for violin and viola and piano by his great-grandson, Josef Suk — the viola pieces performed here on Dvořák's own instrument, restored especially for this recording. With Josef Suk joined here by Vladimir Ashkenazy, this disc offers two of the world's greatest musicians playing — together for the first time — some of its most beautiful music, in versions never heard before.

Josef Suk, violin, viola
Vladimir Ashkenazy, piano

Leopold Damrosch: Orchestral Music

The Prussian-born conductor-composer Leopold Damrosch (1832–85) built his reputation through the orchestra he founded in Breslau, emigrating in 1871 to the USA, where he founded a number of important musical institutions in New York and became chief conductor at the Metropolitan Opera and the New York Philharmonic. These spirited student performances reveal that the same sense of adventure informed his own music, heard here in its first recordings. At the heart of his only symphony, which sits between Brahms and Wagner, is a dark and powerful funeral march. The disc opens with a jubilant overture which takes an excited lead from Wagner’s Meistersingers and closes with a bonne bouche in the form of Damrosch’s orchestration of a Schubert favourite.

Azusa Pacific University Symphony Orchestra; Christopher Russell, conductor

Marc’Antonio Ingegneri, Volume Five: Motets for the Liturgical Year

The Choir of Girton College, Cambridge, continues its pioneering exploration of the music of the Italian Renaissance master Marc’Antonio Ingegneri (c. 1535/36–92) with a journey through the liturgical year, as mirrored in Ingegneri’s motets. A ‘concept album’ of Renaissance polyphony may be an unusual undertaking, but this one illustrates how Ingegneri took his lead from the emotions implicit in each major celebration of the church – from sorrow and awe to joy and jubilation – expressed in music of extraordinary beauty, belying the internal complexity that gives it its emotional power.

Choir of Girton College, Cambridge
Gareth Wilson, director
The Western Wyndes
Jeremy West, leader

Performing Wagner

USE CODE BB110 at Boydell & Brewer to save £35!

A Singer’s Perspective on the Major Tenor Roles

by Stephen Gould and F. Peter Phillips

Foreword – Katharina Wagner
Introduction – F. Peter Phillips
154 Pages
Hardcover
23.4 x 15.6 cm
25 colour and 22 b/w illustrations

“The Only One Who Sang With the Singer” – A Tribute to Margaret Singer

I was much saddened to learn of the death, on 9 July 2023, of the pianist Margaret Singer. As recently as late October 2022 she… 

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Reflections on the Life and Work of Friedrich Gernsheim – With Some Help from the Young People of Worms

Ever since, some years ago, I heard the State Philharmonic Orchestra of Rhineland-Palatinate performing a symphony by Friedrich Gernsheim (1839–1916), I have been seeking to… 

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Remembering Roger Smalley

A new Toccata Classics release restores to circulation the music of a composer who was both a cutting-edge modernist and an enthusiast for Romantic figures… 

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The Re-Emergence of Leo Zeitlin

The story of Leo Zeitlin and his music’s re-emergence is so remarkable that it has already been duly reported in several online and printed articles.… 

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Vocal Works That Still Feel Excitingly New

The prolific compositional output of Elisabeth Lutyens includes 129 vocal pieces. The two pieces included on this album were written seventeen years apart: Nativity in… 

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Too Many Symphonies? – Part One: Rob Keeley

Sometime in the 1950s, when John Barbirolli famously said ‘there are too many symphonies this year, or any year’, he might have been weary after… 

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John Gardner, Symphonist

This interview was published in Fanfare, Vol. 24, No. 1 (September/October 2000) to mark the release of an ASV CD of John Gardner’s orchestral music.… 

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Discovering Robert Fürstenthal and his ‘Lost Lieder’

It was while I was working as music curator at the Jewish Museum in Vienna that someone told me about Robert Fürstenthal. It must have… 

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Tadeusz Majerski Remembered: An Interview With Andrzej Nikodemowicz

A December release from Toccata Classics (TOCC0344) presents the first-ever recording of works by the Polish composer Tadeusz Majerski (1888–1963), whose music incorporates elements of… 

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Where are the Women Composers?

Women Composers Bundle Time for a little controversy on this blog – but that’s not my aim, which is to try to understand why, when… 

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